Recent accolades have spotlighted Karen Kosowski’s exceptional talent, most notably her work on Mickey Guyton’s Grammy-nominated album “Remember Her Name.” With three nominations including “Best Country Album” and two for the title track, Karen’s expertise as a producer and co-writer has significantly contributed to the album’s success, showcasing her versatility in the music industry.
Billboard Chart Success
Assuming you’re a fan of chart-topping hits, you’ll be impressed to know that Karen has co-written and produced numerous songs that have made a mark on Billboard charts. Her work spans various genres, reinforcing her reputation as a versatile creator.
This includes the Top 10 AC Radio single “Please Santa Please” for Pentatonix, as well as the Gold Certified, #1 Canadian and Australian country single “What A Song Should Do” for Tim Hicks. Karen’s contributions to the Canadian country music scene, highlighted by the Gold certified single “Country Thunder” for the Washboard Union, demonstrate her ability to create widely loved music that resonates with listeners and climbs the charts.
Work with Mickey Guyton
Mickey and Karen’s collaboration is a true highlight of her career. Karen produced the majority of Mickey’s Grammy-nominated album, “Remember Her Name,” contributing her talents as a co-writer and mixer on several tracks. Their partnership has led to stunning performances, including Mickey’s moving rendition of the Star Spangled Banner at Super Bowl LVI, where Karen arranged the instrumentation and played piano. You’re sure to appreciate the emotional depth and creativity they’ve brought to modern country music together!
Partnerships with Other Artists
Little did you know that Karen’s versatility extends beyond country music, as she has made impressive strides with a diverse range of artists. Her collaborative spirit shines through in her work on Top 10 hits and award-winning singles, showcasing her multi-genre expertise.
Other artists have greatly benefited from Karen’s creativity and production skills. She co-wrote and produced “Please Santa Please” for Pentatonix, bringing a festive touch to your playlists. Additionally, her partnerships with rising stars like Tim Hicks, Brett Kissel, and Melanie Dyer have resulted in multiple chart-topping hits. With a knack for blending genres, Karen keeps expanding her impressive resume, ensuring there’s something for every music lover in her discography!
Country Music Production
Even as a versatile multi-genre talent, Karen Kosowski has made significant waves in country music production. She’s best known for her incredible work on Mickey Guyton’s Grammy-nominated album “Remember Her Name,” where she produced nine tracks and co-wrote several songs. Her notable contributions have not only earned her critical acclaim but also solidified her position in Nashville’s vibrant music scene.
Pop Music Contributions
You might be surprised to learn that Karen Kosowski’s talent extends beyond country music into the pop genre as well. With impressive credits like producing the US Top 40 pop hit “Somebody To Love Me” for Tryon and the perennial favorite “It Won’t Be Christmas” for Emma-Lee, she showcases her versatile prowess as a producer and songwriter. Her ability to seamlessly blend different styles allows her to appeal to a wide audience.
Understanding the broader range of Karen’s work in pop music, you’ll find that she thrives on collaboration, contributing to projects for artists such as Grey Zeigler, Daisy Clark, and Caleb Hearn. Each of her pop tracks blends catchy melodies with heartfelt lyrics, reflecting her diverse musical background and showcasing her keen sense for what resonates with listeners. Whether crafting holiday classics or contemporary hits, Karen brings her unique flair and experience to every pop project she undertakes.
Original Songs for Films
Assuming you have a keen interest in how music can elevate film narratives, you’ll be impressed by Karen Kosowski’s contributions to original songs for various movies. Her collaboration with Mickey Guyton on “Hold On” created an emotional backdrop in the Oscar-nominated film “Breakthrough.” Similarly, her work on “Where The Light Used To Be” for the action movie “88” showcases her talent for crafting songs that resonate deeply with the storyline, earning her a Canadian Screen Awards nomination.
Notable Soundtrack Contributions
Assuming you’re curious about the music industry’s intersection with film, Karen Kosowski’s notable soundtrack contributions are worth exploring. Her distinct ability to compose and produce engaging songs for films highlights her versatility and artistic vision. Each piece not only enhances the cinematic experience but also speaks to her knack for storytelling through music.
Soundtrack contributions are a vital part of Karen’s creative repertoire. For instance, her work on “Without A Net,” a song by the legendary Diane Warren performed by Mickey Guyton for the film “Stuntwomen: The Untold Hollywood Story,” demonstrates her ability to blend poignant lyrics with impactful melodies. Whether it’s for dramatic scenes or uplifting moments, Karen’s songs help shape the emotional landscape of the films they accompany, making her an invaluable collaborator in this arena.
Upcoming Releases
Endeavors are on the horizon for Karen Kosowski as she continues to explore new musical landscapes. With her recent successes in the country genre, she is excited to unveil fresh tracks that blend her pop sensibilities with the heartfelt storytelling that defines her work. Keep an ear out for her upcoming collaborations and releases that promise to deliver the same passionate artistry you’ve come to love.
Goals for 2024 and Beyond
Goals for Karen in 2024 and beyond are all about growth and exploration. She aims to expand her reach into various musical genres while staying true to her roots. With a desire to write and produce more original tracks for feature films and explore innovative collaborations, Karen looks forward to an exciting year filled with creative possibilities. Your support on this journey will be invaluable as she continues to push boundaries in her artistry.
Upcoming projects will see Karen not only focusing on country music but also returning to her pop roots, collaborating with emerging artists you might not yet know. As she sets her sights on new and exciting ventures, you can expect her signature sound infused with fresh creativity. Whether it’s through emotional film scores or chart-topping singles, Karen is determined to captivate your listening experience in the years to come.
What first got you into music?
I caught the bug early because my parents really encouraged me with piano lessons from an early age , and I was lucky to go to schools that had strong music and band programs. My parents played a lot of music around the house at home, and my dad was king of the mixtapes … so I grew up loving and living music, and I never really considered doing anything else!
How would you describe the music that you typically create?
As a producer and songwriter I’m lucky to get to create with various artists in multiple genres… usually some variation and/or blend of country, Americana, folk, and pop. I grew up playing acoustic instruments and learned to write songs around a piano or guitar, so that organic tradition definitely plays a role in the music I create… but on the flip side I also really love pop production techniques and love blending electronic and organic elements, so I can give the music I create a bit of a hybrid vibe.
What’s the funniest thing that’s ever happened at one of your shows?
I don’t play shows much these days but back when I was first starting out in music I was pursuing an artist career and I played a solo show in Toronto where the electric piano started changing pitch while I was playing, kinda like someone was messing around with the pitch wheel. To this day I have no idea what caused it, maybe it was some kind of electrical glitch or a power fluctuation… but I had to finish the song by changing pitch WITH the piano up and down and all over the place, it was wild!
Have you always been interested in music? Was there a particular song/performance that made you say “Woah! I want to do that!”?
I grew up playing piano, guitar, and any other instruments I could get my hands on, so music has been the central focus of my life for as long as I can remember! Along the way, there were definitely a few records that powerfully hit me and influenced my choices. For example, when I started to write songs around the age of 13, I was stopped in my tracks by two albums that made me want to move into the pop music world: Sarah McLachlan’s “Fumbling Towards Ecstasy” and Tori Amos’s “Under The Pink” – they made me want to write songs like that! Later it was albums like Beck’s “Sea Change”, Radiohead’s “OK Computer” and John Mayer’s “Continuum” that inspired me as a producer.
If we were to peek over your shoulder, what does your studio look like? What gear do you typically use?
My studio has a wide selection of guitars, keyboards, and some percussion instruments. I work primarily in Logic Pro, occasionally in Pro Tools, and as a producer, I’m pretty “in the box”. If you’re new to recording lingo, that means that I prefer to do my tone shaping and mixing digitally on the computer using software, as opposed to using a large analog mixing console. My favorite microphone is the UA Sphere DLX; I’ve been using it since it was in the prototype stage and I rarely use my other microphones because the Sphere covers so many bases for me. The studio vibe is ultra-important for the creative process, so there are colorful tapestries on the walls, lots of candles, chandelier lamps, and colored lighting to help keep me and my collaborators inspired! There are also a variety of gadgets like fidget spinners, Rubik’s cubes, and slingshot rubber chickens to keep things fun.
What would you do if you had to work but didn’t need the money?
I’d still be making music! I can’t imagine not doing this.
Are you a cat or dog person?
I used to be a cat person, and I still love them, but now I’m very much a dog person!
If you had a time machine, would you travel to the future or back to the past?
I think I’d probably want to check out ancient Egypt in the time of Cleopatra , or Tudor-era England. I’ve always found those times fascinating!
What’s your least favourite personality trait you like about yourself?
Impatience! I’m always trying to be more patient… but I get excited and sometimes it gets the better of me.
What makes you nostalgic?
Hearing Canadian bands from the 90’s… The Tragically Hip, Sloan, and Weeping Tile, really take me back to my formative years growing up in Winnipeg Manitoba.
